A film that is gaining a lot of attention at the moment is Extraction, a recent Netflix original, that stars Chris Hemsworth in the lead. The film is directed by former stuntman, Sam Hargrave, and written by Joe Russo, the director of the biggest movie of all time, Avengers: Endgame, which of course, also starred Hemsworth.
The film follows Tyler Rake (Hemsworth), a rebellious and loner black-market mercenary, who is hired to rescue the kidnapped son (Rudhraksh Jaiswal) of imprisoned international crime lord. But, being set in the murky underground of weapon dealers and drug traffickers, the already deadly mission becomes even harder and almost impossible.
Being called Netflix’s big action movie of the moment, that is gaining more attention because of the lack of content due to the ongoing COVID-19 pandemic, the film is gaining a lot of attention, and a lot of popularity and viewership. With all that buzz, the result is a little disappointing, albeit a perfectly fine serviceable action diversion.
The first half of the film is particularly solid and quite entertaining. It starts off well, and once we get to the central mission, it gains real momentum. Much has been made about how the film has a whole sequence around about half way through, that is all done in one continuous, interrupted shot. Much in the same way as this year’s Oscar winning, 1917, the sequence is heavily ambitious, going through buildings, up and down stairs, driving in cars, through gunfights, and even at one point, switches perspectives from different characters. Much like 1917, the sequence is incredibly visceral, and only makes the action and drama all the more intense.
Also, a lot of the fight sequences in the first half, particularly this one-shot sequence, are incredibly well-choreographed and thrilling. These sequences feel very inspired by the almost balletic fight scenes of Gareth Edwards’s The Raid films, or the John Wick films. These brilliantly put-together fight scenes just make the film so much more thrilling and intense.
But after the one long shot sequence, the film starts to go downhill. This really starts to happen when the film tries to incorporate some drama and depth into the film. This occurs when Rake goes to visit his former teammate, Gaspar (played by David Harbour), and during this, the film explores Gaspar and Rake’s history, as well as Rake’s tragic back-story. However, all the drama just doesn’t quite click into place. Harbour and Hemsworth are fine, but because of the cliched writing and quite dull direction, it all feels a little dramatically inept. It also feels like the film is attempting to play the part of a really good action movie, by adding some depth to the film, but not really putting the effort into making the drama innovative or particularly interesting.
Another part of the film that has gained a lot of attention is the film’s excessive violence. Towards the end of the film, there is a hell of a lot of people who get shot and killed. And after a certain amount, it really starts to loose it’s power. The viewer just ends up feeling desensitised to the violence, and it has no impact in the slightest. Also, the violence never feels as visceral or gruelling as it should be. For an 18-rated film (or “R” in the United States), it doesn’t feel like they really take proper advantage of this, and violence ends up lacking a real bite or edge.
Other than that, the performance by Hemsworth is fine, but that’s pretty much it – just fine. He is trying to be very serious here, and he lacks the comedic ability he has gained over the past few years (with projects like Men in Black: International and 2016’s Ghostbusters), and the charisma he brings to a role like Thor. However, if he is attempting to be the serviceable type of action hero, he is perfectly fine at doing that, although this is a little disappointing, considering we’ve seen him do so much more.
Extraction is a little bit a film of two halves – the first is actually pretty good, but the second half lets it down. But, saying that, considering that most of us don’t have much to do at the moment, Extraction is a perfectly serviceable diversion, that much in the same way as The Lovebirds, will pass the time finely.