Never Rarely Sometimes Always is a real indie treat that you can now catch on streaming. The film had a brief theatrical run in cinemas during mid-March, before the COVID-19 pandemic took off, and it’s now available from all different streaming services. It is available from all the usual providers, including Google Play, Amazon and Youtube, where you can stream it for, at the cheapest, £3.49.
The plot centres on a young 17-year-old girl, Autumn (Sidney Flanigan), who suddenly gets pregnant. Feeling like she doesn’t want the baby, she decides to get an abortion, however, her local clinic doesn’t help her. She decides to travel to Pennsylvania with her cousin and best friend, Skylar (Talia Ryder), to get proper support for her decision.
The film is written and directed by indie director, Eliza Hittman, who was previously at the helm of 2015’s Beach Rats. The two lead stars, Flanigan and Ryder are very much unknowns, but I doubt they will be for much longer after the release of this movie. The closer thing that we get to a star in this movie is Theodore Pellerin, a small indie actor, appearing in the TV shows, On Becoming a God in Central Florida (2019-present) and The OA (2019). Hittman, and her two stars, Flanigan and Ryder are the real geniuses here, that make the film work so well.
The two central performances by Flanigan and Ryder are really quite terrific. For two very young actresses, Hittman is very confident with them, placing the movie squarely in their hands. Very much in the same vein as the lead performance by Julia Garner in another recent streaming title, The Assistant, these stars are often shot in tight, intense close-ups, and they pretty much appear in every single scene.
What is really wonderful about the performances, however, is how much they underact. Normally, when actors are portraying hormonal teenagers, they tend to overact, and make their characters almost caricatured. However, Flanigan and Ryder never do this – they play it a minimalist way, which is so refreshing to see. And Hittman is key here too, as she lets the actors breathe and perform, in a freeing way.
Hittman is really brilliant here as the director. She is very good at doing subtle film-making, than never feels the need to be melodramatic, or overwrought. She never feels the need to judge her characters or their actions, and this makes for very sensitive viewing. She also never feels the pressure to cut away frenetically, and lets the camera linger for a long time.
One of the scenes that brutally captures this is a scene in which Autumn has a consultation with a doctor about her abortion. This is where the title of the film comes into play, as the doctor asks Autumn to reply to her questions with either “never”, “rarely”, “sometimes” or “always”. The scene is really haunting, and through Flanigan’s performance, it beautifully tells a whole story in not many words.
The film also works so effortlessly because of the central relationship between our lead characters. Their relationship has echoes of the central characters’ relationship in the 1969 classic, Midnight Cowboy in how they don’t actually communicate that much with each other, but they don’t need to – they are so comfortable with each other, they don’t really need to talk.
There is a really beautiful scene that showcases this, in which the two get on each other’s nerves, Autumn gives Skylar a “fuck you”, Skylar gets angry and moves forward two seats, and then the two just silently reconcile. There is another beautiful scene in which, while Skylar is kissing a man to get money for the both of them, the two of them hold hands. Their relationship is sweet and soulful, and you can tell that Autumn has a special bond with Skylar, where many others don’t.
Hittman also treats the film’s central topic of abortion very uniquely. Many of the scenes involving abortion – from the first clinic talking her out of having an abortion to the uncomfortable and heartbreaking consultation that Autumn has with a doctor – feel painstaking real and authentic. It is really refreshing to see a movie take on such a touchy subject with real bravery and brio, as well as take on this subject and not judge any of the characters for their actions. The film never feels pro or anti abortion, and this is so refreshing to see.
Overall, Hittman has created a really wonderful film in Never Rarely Sometimes Always. She, and her two central stars, Flanigan and Ryder have turned this film into a engaging, immersive and very interesting experience. You should definitely check, because it’s definitely a contender for one of the best films of the year.